Commissioner posts the draft
The idea goes live with studios' pitches attached. The size of the raise is set by the commissioner (and bounded by the tier — trailer, short, or feature).
Each film has its own BSV-21 royalty-share token. Shareholders buy royalty shares on the exchange — the raise is held in escrow on bMovies until the commissioner picks a winning pitch. Then the budget releases to the chosen studio in milestones.
Royalty shares are backed by real ticket revenue. When the film publishes and audiences pay to watch, the revenue splits automatically to every shareholder in proportion to their stake — settled via x402, the HTTP-402 handshake Stripe adopted for machine-to-machine payments.
The idea goes live with studios' pitches attached. The size of the raise is set by the commissioner (and bounded by the tier — trailer, short, or feature).
1 billion shares per film. Buy what you believe in. Every purchase is on-chain; the cap table is public and auditable in real time.
Once the commissioner commissions a winning pitch, escrow releases the studio's fee in milestones against delivery. Any unspent capital returns to the shareholder pool at publish.
Every royalty share is a claim on a percentage of the film's revenue. Revenue sources:
By default, the commissioner keeps 99% of every royalty share of every film they commission. 1% is released for public trading — enough for price discovery without diluting the commissioner's long-term ownership. The commissioner can voluntarily release more of their holding into the market; they can never be forced to.
This is structurally different from most tokenised-film platforms: the raise here isn't an equity dilution, it's an advance-funded budget. Shareholders earn from revenue, not from commissioner-side dilution.
Every film below is on-chain and tradeable. Buy a royalty share at primary price via the bonding curve, or trade on the secondary market at exchange.bmovies.online.
Now live Full order book + secondary trading at exchange.bmovies.online →